BROKEN PREY #16 In The Prey Series
Sometimes it pays to be lucky rather than smart. Well, actually I’m not sure what smart would have to do with it but. . .
I had finished the last but one of books on my nightstand and I started that one but just couldn’t get into it. So I went to my bookshelves and looked over several assuming that I had read them all. I kept coming back to Sandford and finally reached up and randomly selected Broken Prey. It turns out that I hadn’t read it! Therein is the luck.
I don’t remember when I first began reading the Prey series or what book I started with, I know it wasn’t the original, Rules of Prey. (Interesting fact; Dennis Rader, the BTK killer of Wichita, Kansas used Rules of Prey as a guide when he began killing.) I do know that I became an instant fan and nothing has changed in my fandom since.
Broken Prey is one of the best of the Prey series and I hesitate to say that for fear that it denigrates others in the series. Perish the thought! Sandford writes with an attention to detail and a bam, bam style that continues through his novels. You never get a chance to catch your breath until you put the book down. Nor do you want to. Each paragraph leads you into wanting more, and so you don’t put the book down until you fall asleep and it falls onto your face. (Why yes, I do read in bed, how did you know?)
Lucas Davenport, the protagonist of the Prey series, starts out as a Minneapolis cop, leaves the force for a bit and then rejoins it on a consultant basis, leaves it again and joins the Bureau of Criminal Apprehension, the law enforcement arm of Minnesota. There he is a big wig, a supervisor with a team of detectives and a couple who are more adept at enforcement than detecting.
In this novel Lucas is faced with a serial killer; one who tortures his victims before cutting their throats and Lucas knows he has to find and stop him before he kills again and again.
One of the things that I appreciate about Sandford’s writing is his attention to details large and small. He uses small details the way a cook will add a spice to enhance a dish; his details may have nothing to do with the story but they do enhance. One example from this book is when he pulls into a trailer park and a cat comes out from under one of the trailers and pauses with one paw raised (a very cat like pose if my cat is an example). It has absolutely nothing to do with the story and once it’s mentioned the cat disappears from any further involvement. But it has added that touch of spice, that flavor, a distant bird painted in a landscape, a making it whole and especially making it real. That’s John Sandford and one reason why I am a fan.
If you are squeamish, don’t read Sandford because his crime scenes are not for the faint of heart. If you prefer dull, stories in gray instead of vivid colors, pass him by. If the mundane is to your taste. . . well, leave him to those of use who enjoy a tale filled with wit, reality, action, familiar characters, because that’s what Sandford writes. And he’s damn good at it.
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